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Sources. Matériaux & Terrains en études africaines est une revue à comité de lecture interdisciplinaire et multilingue. Elle couvre les sciences humaines et sociales et l’archéologie.

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What do photographers and their pictures show about Africa? This special issue aims to analyse the social representations produced and disseminated by photographers, whether professionals or amateurs, researchers or not, African or not. The articles present numerous photographs, reflecting the longstanding nature of this practice as well as its contemporary vitality. The authors consider what is shown, what can be shown, but also the images that are not there or are no longer there. Examining the absence of images invites us to grasp the entire photographic process, from shooting to distribution. The aim is to unravel not only the photographs themselves, but also the various interactions that led to their production, reproduction or disappearance. In this way, the articles sketch out the area of the photographable in Africa. Finally, this issue takes a reflexive look at research approaches that use photography as a “medium for expressing the sensitive,” understanding “sensitive” to mean both what is mediated by our senses (as in a “sensory” approach for example) but also sensitive as that which requires a particular care and tact, that which is affectively charged. At the intersection of working “with,” “on” and “in” images, the aim is to defend photography as a research method in its own right.

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With this fifth issue, Sources continues to connect approaches, methods and languages within the field of African Studies. Justin Pearce’s paper analyses the making of revolutionary imaginaries through graffiti found in former military training camps in Angola. Claire Riffard questions the use of digital approach when researching African literary creation. Computerisation is also at the core of Hala Bayoumi’s article, which reviews the design of an interactive cartography based on Egyptian censuses. In their non-standard paper, Enrico Ille and Mohamed Salah scrutinise the causes put forward to explain the fires of date palm fields in Sudan. They have conducted “perambulatory” interviews at the fire sites, contributing to produce complementary data. Christian Seignobos and Émilie Guitard explore the use of drawing when approaching the relations between humans and nature. A mini-dossier provides a new contribution to the joint editorial work on the history of the Tutsi genocide in Rwanda, undertaken in partnership with the Revue d’histoire contemporaine de l’Afrique. Maëline Le Lay offers a reflection on theatrical experience as a source for such history. Her article is complemented by the interview with Rwandan historians conducted by Florent Piton —here translated in Kinyarwanda—discussing the use of local sources in writing the history of the genocide. Valmont Layne’s contribution closes this volume, analysing the rush towards digital technologies from a South African perspective, emphasising the inequalities in access to and circulation of knowledge in the Global North and South.

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Knowing nature and the environment has become crucial in Africa in a context of increasing ecological crises. Major questions about the production and dissemination of such knowledge arise: What is considered to be knowledge or to be ignorance about the environment? How, by whom and for whom is knowledge produced? What is it used for? How and by what means is it disseminated? Who is considered knowledgeable? And how are epistemological hierarchies about nature built and contested? This special issue addresses these questions in relation to Madagascar, Mozambique, Ethiopia, Kenya, Sudan, Guinea, Sierra Leone, Nigeria and Cameroon. The articles and two interviews explore environmental knowledge in an original way by focusing on the media and materials in which this knowledge is embodied: soil cores, minutes of meetings of environmental associations, legal acts, international protocols, tourist leaflets, and communication brochures for health campaigns, among others. Once collected, classified and put back into context, these objects are both places of knowledge and sources of analysis situated at the core of social science research on the environment in Africa.

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This Varia issue opens a new journey through the sources of our knowledge of Africa. It starts with the presentation of a unique aural source that highlights the complex relationship between local and global dynamics in Nigerian jihadism. An entirely bilingual paper (French and English) brushes a richly documented picture of a thirty-year-long research endeavour on the New Year festivities in Cape Town and their role in the construction of political identities. Other original contributions discuss the archeology of funeral sites in Sudan, anthropological approaches of migration and asylum in Uganda, the history of Afro-soviet networks through the Moscow archives related to Senegalese filmmaker Ousmane Sembène, and the use of Antoine d’Abbadie’s travel notebooks for the history of Ethiopia and of the exploration trips in the Horn of Africa. Last but not least, this issue hosts a conversation between three Rwandan historians about the historiography of the genocide of the Tutsi in Rwanda. This paper highlights the variety of sources that can be used and helps to re-contextualise the debates that surround the recently released “Rapport Duclert,” commissioned by the French Presidency to elucidate the role of France in the genocide.

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This special issue contributes to the debates on how to relate to violence in the social sciences and humanities, particularly on the African continent. Violence is a research object with significant emotional, partisan, and ideological power and its study requires a specific questioning about access to fieldwork, ethnographic immersion, the nature of field materials and their conditions of collect. The contributions gathered here focus on varied empirical materials used both as the starting point and basis for the analysis. Through various case studies, they all illustrate the value of making a methodological detour through sources and materials, as well as highlight the multiple ways through which these sources and materials can be produced.

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